DiscoverYaima

An independent island guide
Ishigaki, Okinawa, Japan

Culture & community

Obon on Ishigaki.

This archive story follows the remembrance and family traditions we encountered on Ishigaki during Obon in 2017.

Angama performers during Obon on Ishigaki Island
Angama in Tonoshiro during our 2017 visit.

Our 2017 video from Obon on Ishigaki ↗

Three days of remembrance

Obon is a time for remembering and welcoming ancestors. On Ishigaki and elsewhere in Okinawa, many communities observe it by the old lunar calendar, over the thirteenth to fifteenth days of the seventh lunar month. The three days are commonly known as Unke, Nakanuhi and Ukui: welcoming, the middle day and sending off. Practice varies between communities and households.

What follows is not a guide to every Obon custom in Yaeyama. It is what we saw and heard on Ishigaki in 2017, alongside a little local context.

Angama in Tonoshiro

In Tonoshiro, we were welcomed into a home to see Angama. We watched the masked figures, the questions from the people gathered there, the humorous replies, then songs and dance. It was a full house, with family offerings at one side of the room and performers moving through the tatami space.

The Ishigaki City Yaeyama Museum identifies the masked pair as Ushumai, the elder man, and Nmi, the elder woman. During the Tonoshiro performance we saw, they were accompanied by Fama performers, who sang and danced. The questions and answers are an important part of the evening; in Tonoshiro, the humour was as present as the ceremony.

Angama gathering in a Tonoshiro home during Obon on Ishigaki.
Inside the Tonoshiro home during Angama.
Angama performers in Tonoshiro during Obon on Ishigaki.
Angama performers in Tonoshiro.
Angama performance in Tonoshiro during Obon on Ishigaki.
Song and dance during the Tonoshiro performance.
Angama performance in Tonoshiro during Obon on Ishigaki.
Another moment from the Tonoshiro evening.

Inside the home

We saw offerings and an altar in the house we visited. They belonged to that evening and that home; we do not take them as a rule for every household on Ishigaki.

Colourful sugar fish among offerings during Obon on Ishigaki.
A colourful fish made from sugar, photographed among offerings during our 2017 visit.
Offerings during Obon in Tonoshiro, Ishigaki.
An offering from the Tonoshiro home.
Offerings during Obon in Tonoshiro, Ishigaki.
Another detail from the home we visited.

Something we were told

During Obon, someone on Ishigaki directly told us not to swim. We are keeping that as local advice we were given at the time, not as universal Yaeyama behaviour or marine-safety guidance.

In Shiraho, another tradition

We also experienced the lion dance in Shiraho. This was not Angama, and we remember it as a separate tradition with its own character and setting.

Shiraho’s local community explains that lion dances visit homes during old-calendar Obon, with wishes for ancestor remembrance, family well-being and descendants’ health. We saw the lion dance in the village; local explanations connect a child being bitten or taken by the lion with wishes for health and well-being. We do not reduce that to a single universal meaning.

Lion dance in Shiraho during Obon on Ishigaki.
Lion dance in Shiraho during our 2017 Obon visit.

After Obon

In Shiraho, the post-Obon practice is called Itashikibara. Local sources describe it as taking place after the three days of old-calendar Obon, with lion dance connected to sending away spirits understood to remain after the observance. This is context for what we saw, not a description of every community’s practice.

Local context

For background on Angama terminology, Ishigaki City’s Yaeyama Museum identifies the Tonoshiro masks as Ushumai and Nmi. Shiraho’s own community source describes its lion dance and Itashikibara. These sources help place our 2017 memories without making them a general rule for the whole of Yaeyama.

Ishigaki City Yaeyama Museum: Tonoshiro Angama masks ↗
Shiraho Village: community traditions ↗